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Author Name:- Dr. Shrividya MuralidharISBN: 978-93-85161-32-2
Rs. 1500/- $ 75
Edition :- 2016
Literary Works on Bharathanatyam, with references to udgranthas , have come across in number. The texts too are rewritten and translated , with a new resurgence. However the attempt here is to focus on an untold and un contemplated slips and move process of dance subjects currently phenomenal, happening with awareness or without awareness of the dancing fraternity.
The work attempts basically to revive the name 'Bharathanatyam' that once was a renaissance effort to conventionalize the browbeaten art. Time, milieu and local custom, patterned Bharathanatyam by time in honor making it a paramount dais entity of the worlds performing horizon. The Author here, interpolates technically the name and content inter difference. Sustenance of the rudimentary entity and continued research authenticates the work to coin the term Bharathanrithyam.
As an artist and a traveler appreciative of incumbent art lovers ,the aura of next generations classical dance preservation and presentational saga is pre visioned by the artist Author. An effort to describe and locate the sensitivities of this area is attempted for discussion at the outset in this book. Music makes dance a melody. The imaginary spontaneity and the aesthetic reverberence is possible only with the supportive musical pattern. The expression of Nritya sangeetha receives ample pondering here. Series of thoughtful contemplation on the duo interdisciplinary art illustrate new topics for discussion such as choreography and mastery of manodharma.
Bharathanrityam is energized with new manifestations, though nothing about its mundane grammar, yet multifariously discussing the all embracing quality of nritya.
Born to dance, Dr. Shrividya Muralidhar, is acknowledged for her dancing style which is a rarity. Her expressive face made stories so dramatic that script fell weak. undoubtedly her authority in abhinaya transcends her recital to a visual poetry. press tributes exemplifies Shrividya as a versatile dancer and describes that her dance recitals are magically picturesque.
Dr Shrividya's treatising abhinaya and abundant manodharma in Pandanallore style, has resulted in many stage productions. Her articles and debut work ''Bhava Rasa Niroopanam" was honored to be published by Kannada sahitya Parishath, Bangalore .
Director of her School, Sourbha Kala Parishath (R) Mangalore based in Karnataka, India, The institute past three decades exemplifies the norms of Dancing Art. She was the first youngest artist to have awarded PhD Degree in Karnataka in the field of bharathanrityam, is research oriented in all her visions and presentations. A Post graduate in English Literature and M.B.A holder in Human resource, is an all rounder. She has performed Internationally, at several conferences and acclaimed occasions at Dubai ,Abudhabi, Sharjha and Oman. She has also conducted dance workshops, dance drama shows which conferred upon her felicitations and honor abroad.
A recipient of Kittur Rani chennamma State Award from the Government of Karnataka, she is accoladed with National level awards and Titles like Natyavisharade, Kannada Siri, Kalashri etc, from culturally commendable Institutions. The Ministry of Culture, New Delhi confers her with fellowship in support to her research works.
A Teacher, Choreographer, Researcher and a classical dancer of Caliber, cultivates melody and meticulousness in her work.